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| RSA | UK | USA | FRANCE | ITALY | Sizes |
|---|---|---|---|---|---|
| 6 | 6 | 2 | 34 | 38 | X-Small |
| 8 | 8 | 4 | 36 | 40 | Small |
| 10 | 10 | 6 | 38 | 42 | Small |
| 12 | 12 | 8 | 40 | 44 | Medium |
| 14 | 14 | 10 | 42 | 46 | Medium |
| 16 | 16 | 12 | 44 | 48 | Large |
| 18 | 18 | 14 | 46 | 50 | Large |
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| 22 | 22 | 18 | 50 | 54 | XL/2X |
| 24 | 24 | 20 | 52 | 56 | XXL |
| 26 | 26 | 22 | 54 | 58 | XXXL |
| 28 | 28 | 24 | 56 | 60 | XXXXL |
Originated in the ancient Mali Empire, which is now modern day Ghana and Mali. The dance is played to celebrate good harvest.
| SKU: | LUC2021104 |
| Categories: | Best seller, Corporate Look, Dresses, Jackets/Blazer, Women |
| Tag: | African blazer dress |
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Originated in the ancient Mali Empire, which is now modern day Ghana and Mali. The dance is played to celebrate good harvest. It is a movement for young girls to demonstrate their grace and beauty, sometimes even their provocativeness, and for young boys to demonstrate their strength and show their acrobatic powers.
| size | size, XSmall, Small, Medium, Large |
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| Settings | Sunu dance remove | Shimakonde Blazer remove | Tamana Ibuga remove | Men's Short Leave Shirt | Turquoise blue remove | Men's Long Sleeve Shirt | Green remove | Marrabenta gown remove | ||||||||||||||||||||||||||||
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| Name | Sunu dance remove | Shimakonde Blazer remove | Tamana Ibuga remove | Men's Short Leave Shirt | Turquoise blue remove | Men's Long Sleeve Shirt | Green remove | Marrabenta gown remove | ||||||||||||||||||||||||||||
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| SKU | LUC2021104 | SH3928829df | SS075403875 | LS075097435 | LUC2021101 | |||||||||||||||||||||||||||||
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| Price | R6,100.00 | R2,500.00 | R2,800.00 | |||||||||||||||||||||||||||||||
| Stock | Out of stock | Out of stock | Out of stock | Out of stock | Out of stock | Out of stock | ||||||||||||||||||||||||||||
| Availability | Out of stock | Out of stock | Out of stock | Out of stock | Out of stock | Out of stock | ||||||||||||||||||||||||||||
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| Description | Originated in the ancient Mali Empire, which is now modern day Ghana and Mali. The dance is played to celebrate good harvest. | Inspired by the Makonde, or Kimakonde, a language spoken by the Makonde, an ethnic group in southeast Tanzania and northern Mozambique. | This is a harvest celebration dance of the Basoga people. Is a folk dance from the Busoga region in eastern Uganda. | Turquoise blue and black short sleeve shirt, designed with African colors. | The green color is an inspiration from the "ever so green" continent of Africa. | is a popular style of Mozambican dance combining traditional Mozambican dance rhythms with Portuguese folk music. It was developed in Maputo, the capital city of Mozambique, during the 1930s and 1940s. | ||||||||||||||||||||||||||||
| Content | Originated in the ancient Mali Empire, which is now modern day Ghana and Mali. The dance is played to celebrate good harvest. It is a movement for young girls to demonstrate their grace and beauty, sometimes even their provocativeness, and for young boys to demonstrate their strength and show their acrobatic powers. | Makonde is a central Bantu language closely related to Yao. Although the Matembwe and Mabiha dialects are divergent, they may not be Makonde. | This is a harvest celebration dance of the Basoga people. Is a folk dance from the Busoga region in eastern Uganda. This dance is a sign of friendship and unity. Once there were two men who were such good friends that they shared everything in their life. | Turquoise blue and black short sleeve shirt, designed with African colors. | The green color is an inspiration from the "ever so green" continent of Africa. The shirt is a combination of the African colors on Mozambique fabrics. |  is a popular style of Mozambican dance combining traditional Mozambican dance rhythms with Portuguese folk music. It was developed in Maputo, the capital city of Mozambique, during the 1930s and 1940s. Over time, the name Marrabenta has frown in popularity and continues to be used today. Founder of Lucia Artur Roso grew up dancing to Marrabenta. Marrabenta was first performed on homemade guitars constructed from oil or gasoline cans and fishing line. The style’s lyrics are often political, though subtly so, and the associated dance is widely performed throughout the country. It developed during the colonial period as a way to criticize the government in a manner that would be nonthreatening manner. | ||||||||||||||||||||||||||||
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345 Rivonia Building, Rivonia Boulevard, Rivonia, Gauteng, South Africa, 2191
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