Description
The outfit shows the diversity of cultures, beliefs and African print designs you find within the continent, so refined.
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The outfit shows the diversity of cultures, beliefs and African print designs you find within the continent, so refined.
Weight | 1 kg |
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Type | 2 Piece (Matching Trouser and Top) |
Color | Red |
Estimated Delivery Time | 3-5 Working days (Domestic) |
size | XSmall, Small, Medium, Large, XLarge |
Settings | IsiZulu Matching Top and Shorts remove | Gombey remove | Xirhonga Top and Trouser remove | Tamana Ibuga remove | Matching Kiswahili Top & Skirt remove | Marrabenta gown remove | ||||||||||||||||||||||||||
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Name | IsiZulu Matching Top and Shorts remove | Gombey remove | Xirhonga Top and Trouser remove | Tamana Ibuga remove | Matching Kiswahili Top & Skirt remove | Marrabenta gown remove | ||||||||||||||||||||||||||
Image | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() | ||||||||||||||||||||||||||
SKU | IS9329-47923 | LUC2021107 | XR937209477 | TT93720947654 | LUC2021101 | |||||||||||||||||||||||||||
Rating | ||||||||||||||||||||||||||||||||
Price | R4,500.00 | R5,050.00 | R4,100.00 | |||||||||||||||||||||||||||||
Stock | Out of stock | Out of stock | Out of stock | Out of stock | Out of stock | Out of stock | ||||||||||||||||||||||||||
Availability | Out of stock | Out of stock | Out of stock | Out of stock | Out of stock | Out of stock | ||||||||||||||||||||||||||
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Description | The outfit is named after an ethnic clan called "amaZulu" from Southern Africa. | The Gombey is an iconic symbol of Bermuda, a unique performance art full of colorful and intricate masquerade, dance and drumming. | Insipred by "Ronga" a Bantu language of the Tswa–Ronga branch spoken just south of Maputo in Mozambique. (Please refer to size guide on top of the product Price) | This is a harvest celebration dance of the Basoga people. Is a folk dance from the Busoga region in eastern Uganda. | Named after the native bantu language "Swahili", also known by its native name Kiswahili, is a Bantu language and the first language of the Swahili people. | is a popular style of Mozambican dance combining traditional Mozambican dance rhythms with Portuguese folk music. It was developed in Maputo, the capital city of Mozambique, during the 1930s and 1940s. | ||||||||||||||||||||||||||
Content | The outfit shows the diversity of cultures, beliefs and African print designs you find within the continent, so refined. | The Gombey is an iconic symbol of Bermuda, a unique performance art full of colorful and intricate masquerade, dance and drumming. This folklife tradition reflects the island's blend of African, Caribbean and British cultures. Dancers are usually male, and perform in groups of 10-30 though in modern times female groups have emerged. The traditions have been passed down orally from one generation to the next within families and the Captains of each troupe determine the direction of the troupe and style that is taught. Thus within troupes there can be found subtle but distinct differences in beats, dances, costumes, headdresses, by which they can each be recognized. | Although the language is spoken mostly in Mozambique, It extends a little into South Africa, with about 650,000 speakers in Mozambique and a further 90,000 in South Africa, with dialects including Konde, Putru and Kalanga. | This is a harvest celebration dance of the Basoga people. Is a folk dance from the Busoga region in eastern Uganda. This dance is a sign of friendship and unity. Once there were two men who were such good friends that they shared everything in their life. | The Swahili language dates its origin to the Bantu people of the coast of East Africa. Our fabric is a result of an inspiration from tribes who speak Swahili. |  is a popular style of Mozambican dance combining traditional Mozambican dance rhythms with Portuguese folk music. It was developed in Maputo, the capital city of Mozambique, during the 1930s and 1940s. Over time, the name Marrabenta has frown in popularity and continues to be used today. Founder of Lucia Artur Roso grew up dancing to Marrabenta. Marrabenta was first performed on homemade guitars constructed from oil or gasoline cans and fishing line. The style’s lyrics are often political, though subtly so, and the associated dance is widely performed throughout the country. It developed during the colonial period as a way to criticize the government in a manner that would be nonthreatening manner. | ||||||||||||||||||||||||||
Weight | 1 | 1 | 1 | |||||||||||||||||||||||||||||
Dimensions | N/A | N/A | N/A | N/A | N/A | N/A | ||||||||||||||||||||||||||
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